I enjoy that he could harshly categorizes his eyes on the external environment of human existence. And it is not careful about the inner feelings, but external trend rises to the metaphysical refinement. He provides the audience with a direct access to the inner channel.
http://www.lehmannmaupin.com/artists/do-ho-suh
Imagine if the cure for homesickness could be carried in a suitcase - that you were able to pop up a particular window pane or door knob from your childhood home or college art studio, wherever you go. For Do Ho Suh, this is near enough the objective. Set across three individual spaces, Passage/s at Victoria Miro, is the artist’s first solo exhibition in London.
Gallery II hosts the main installation: a series of re-constructed entranceways or ‘hubs’ from the buildings Suh has lived and worked in, from Seoul, Berlin, New York and London. Made from translucent polyester fabric in electric colours, it simply glows, responding to the pools of natural light that flood the gallery from the ceiling. This is on purpose of course: instead of placing the hubs chronologically, Suh has sensitively created his installation, which takes up the entirety of the 25 meter-long space, so that it responds to the gallery’s architectural interventions.
徐道获的作品有极高的辨识度，他用颜色通透的纤维材料制作等比例的冰箱、浴缸、门把手等生活中常见的物品。作品命名为“首尔的家/洛杉矶的家”、“标本系列”、“完美之家”等，他将自己的私人物品制成艺术品，与观众的私人体验产生共鸣。他苛严地将目光定格在人类生存的外部环境上，小心翼翼不涉及内心感受，但这种外部趋向因其纯粹而上升为形而上的精炼，反而为观众提供了直达内在的通道。