Abriel Orozco is the kind of rare artist who can ride freely in classical temperament painting or sculpture, seemingly simple device, intervene between device objects and photography. And the way he deals with the object is so varied that sometimes creates an attractive atmosphere, or occasionally creates casual situations and objects, or on the contrary: precise and perfect production. Therefore, his works are often between the concept of art and orthodox sensory balance between the items. In his works to experience the rational participation and direct emotional experience, so that people entered the dialogue between his works.
http://www.artnet.com/artists/gabriel-orozco/
Gabriel Orozco is widely regarded as one of the most influential contemporary artists of his generation. Employing a diverse practice that includes installation, sculpture, painting, and video, Orozco’s work is characterized by its focus on reinterpreting everyday objects: in his seminal La DS (1993), the artist cuts out the middle third of a Citroën car, resulting in an object that is at once familiar and totally alien. “What is most important is not so much what people see in the gallery or the museum,” he has said, “but what people see after looking at these things, how they confront reality again.”
Gabriel Orozco是那种罕见的可以在古典气质绘画或雕塑、看似简单的装置、干预装置对象和摄影之间自由驰骋的艺术家。而且他处理对象的方式如此多变，有时营造起极具吸引力的气氛，或者偶尔塑造出随意的情状和对象，或者恰恰相反地：精确和完美的制作作品。因此，他的作品往往介于观念艺术和正统的感官均衡的物品之间。在他的作品中体验到的理性的参与和直接的情感遭遇，使得人们进入了他的作品之间的对话。